Watch Mack the Knife online for free, Mack the Knife trailer, casts, summary and reviews. Watch Mack the Knife full movie online on ChiliMovie. Las 2000 mejores pelculas de la historia. SI ya no sabes que pelculas buscar, os presentamos a las mejores pelculas desde los aos 90. Enter a quote, get the movie and time it showed up. Amazing movie quote search engine subzin is pretty simple, but pretty amazing. Put in your favorite quote from a movie, and itll find the movie and the exact time it appears in the movie and links to Neflix if available via df. Im pretty amazed at the speed and accuracy of this, just about every famous quote I could think of was quickly found. HOpFJuPi-k/0.jpg' alt='Samsara Movie 2001' title='Samsara Movie 2001' />The 1. Download Windows 7 Gamer Edition 64 Bit Single Link on this page. Most Beautiful Movies of All Time Taste of Cinema. Pans Labyrinth Cinematographer Guillermo NavarroIn 2. Spanish world had never heard of Guillermo del Toro, the now acclaimed director of Pans Labyrinth. It would be a film that captured the hearts and minds of millions around the world despite its status as a foreign film and it would catapult the Mexican director onto the world stage in a major way, launching his stellar career to new heights. With cinematography by that other Guillermo, Guillermo Navarro Pacific Rim, Jackie Brown and production design by Eugenio Caballero The Impossible, Resident Evil Extinction, Pans Labyrinth, sometimes translated as The Labyrinth of the Faun is billed as a fantasy war drama, and in that sense, it does not disappoint. It has all three of those genres covered in spades. A spiritual lovestory set in the majestic landscape of Ladakh, Himalayas. Samsara is a quest one mans struggle to find spiritual Enlightenment by renouncing the world. Set in 1. 94. 4 during the turmoil that occurred in Spain shortly after the civil war, the narrative follows the life of a young girl named Ofelia who is dealing with the cold, harsh reality of the frightening adult world with which she is surrounded. Slowly, over he course of the film she becomes drawn into an alternative reality of faeries and mythical creatures who both assist her and test her with obstacles, casting her into the Labyrinth of the Faun. Note that Guillermo del Toro has emphatically denied that the faun in the movie is in fact, the Greek god, Pan, himself. Using CGI, animatronics and make up effects to bring its fantastical characters to life, the film is both wondrous and terrifying in turns and posits a story that can be interpreted on many levels. Spread the LOVE UPDATED Now over 200 movies Do you feel like having a Movie Night without Hollywood Here is a list of 200 plus consciousness. On the surface, the story is simply a fantastical and beautiful fairytale that recalls the old gods and pagan times. On a deeper level, one is left with the impression that Ofelia is either hiding from the senseless violence of the real world, in her imagination, or that it has driven her insane. On an even deeper, archetypal level, the film is about growing up and facing a kind of ego death. Winning three Academy Awards and three BAFTA awards, as well as a HUGO award and a slew of other decorations at the time, Pans Labyrinth is one of the most beautifully orchestrated and visually stunning films of its generation and it may be some time before another such fairytale comes close to eclipsing its perfection. Stalker Cinematographer Georgy Rerberg, Alexander Knyazhinsky, Leonid KalashnikovThis low key sci fi drama directed by Andrei Tarkovsky, with its slow meandering plot and enigmatic, tight cast of characters is among the most original and philosophically sound pieces you are ever likely to see. Tarkovsky is one of the pioneers and masters of the long take. The film opens with a static, sepia colored, three to four minute shot of a man being served breakfast in a dingy bar while the opening credits fade in and out in yellow. At four minutes and fourteen seconds, this is followed by an interminably slow, minute long tracking shot towards a pair of dirty double doors and then peeks into a bedroom. At five mins twenty eight seconds Tarkovsky cuts to a tight over head shot of a side table. A glass of water is rattling and sliding on it from the vibrations of a passing train. The camera slowly begins to crab left, still overhead, to reveal, one at a time, a mother, a girl and finally a man. He is the only one awake. Now Tarkovsky crabs back across the bed again, still the same shot, over the girl sleeping between her parents. The mother is awake now too. She lays still, eyes open but despondent. The tray is also still too. The train noises have stopped and the camera finally rests. The film cuts to a wide shot now as the father climbs slowly from the bed and quietly gets dresses in real time. The sequence would be painfully slow if not for the rich textures and playful mise en scene. It teeters on tedious but one quickly learns with Tarkovsky that there will always be a transformation or a point of interest, some kind of payoff, if you just pay attention a little longer. In this way Tarkovsky pulls us into the story world by forcing us to try and see beyond the edges of the frame. We are given time to consider the many questions that each image presents and we would do well to do so if we want to make sense of his work. On the one hand the narrative is a kind of absurd slipstream, loosely based on the novel Roadside Panic also penned by Boris and Arkady Strugatsky. Here, deep in the heart of a post apocalyptic territory, cordoned off by the government, lays a place called The Zone where all manner of strange and invisible dangers lurk. Curiously, Tarkovsky uses sepia film stock for all the scenes leading up to and outside The Zone, transitioning to color footage as the narrative takes the characters within. Surely, the Zone is some kind of metaphor for life. Within The Zone is said to be a room that will grant wishes to whomever makes it that far and is able to enter. The films simple, but rather strange narrative follows a Stalker, a kind of guide, in the movie, who is assisting a professor and a writer to gain access to the Room. The shortest path is never the right path, he says. As they move through the wasteland, they utilize various homemade devices, such as bolts tied to pieces of cloth, to test that gravity is still functioning correctly and to avoid pitfalls and hidden dangers. Eventually we are to discover that the room provides not necessarily what the occupants wants, but what he or she, unconsciously desires. Despite few action based scenes especially after entering the Zone, the film is tense and highly dramatic. Its characters are interesting and cleverly polarized in ways that exploit the potential drama. Ultimately, beyond the raw beauty of the wilderness that is encompassed in the film the beautifully executed cinematography and so it should be, due to various mishaps, Tarkovsky shot the film three times, so hed had some time to think about it, this films true inner beauty comes from the uniqueness of its narrative and the philosophical questions it raises for the astute viewer. Lawrence of Arabia Cinematographer Freddie YoungIt hardly needs to be said that Lawrence of Arabia is a beautiful film. One that despite over half a century of cinema, remains as impressive as ever. No one who has seen the film will forget the moment that a rider emerges from the heat waves on the horizon and then in complete silence, over several long minutes, approaches the camera from the distance. It is one of the boldest and most intense experiences in the history of cinema. The film is unabashedly stunning in its visual scope. Its tapestry of flowing, sand filled vistas and panoramas, full of sunrises and shimmering heat waves, uses deep field lenses to masterfully exploit the cinema screen to its maximum potential. It is a film full of imagery that has become etched in the collective unconsciousness of both audiences and filmmakers to this very day. No one who has seen a 7. One that captures not just the epic expanses and extreme conditions of the Arabian desert, but also its stark beauty and landscapes. It seems to come close to capturing the very spirit of the famous British officer who united the Arab tribes against the Turks during World War I. Among its most enduring images are the intricate and human details of its lead actor, Peter OTooles enigmatic, empathetic and endearing features. His face. In 7. 0mm. Four stories high on the big screen. Based upon the writings of T.